The Big Show (TV)

September 1st, 2010
Since March 2007, I've been podcasting one radio episode of Dragnet per week to recreate the experience of Dragnet's first listeners, as well as providing commentary and sharing listener feedback before and after the show. The show has listeners across America and around the World.

Also, I'll be posting a Monthly public domain Dragnet TV episode. If you'd like to join this journey through Dragnet, click here to add the show to Itunes or here if you'd like to subscribe through Zune. For all other services, click .

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A baby is found abandonned at a bus station. Friday and Smith search for the mother.

Season 2, Episode 11

Original Air Date: January 22, 1953

Play

My Favorite 1960s Dragnet #14: The Bank Examiner Swindle

August 31st, 2010

This Season 1 epsiode was a classic Dragmet bunco story.  Even though the crime was non-violent, the show established how much harm was done by swindling senior citizens. 

This episode was the earliest episode featuring Bust Martin, though his role was not as prominent as it would be in future shows. The episode had a great payoff in the final scene that makes it truly a must-watch.

The Big Want

August 28th, 2010

*A search for a man wanted in another city turns deadly.

Original Air Date: March 1, 1953

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My Favorite 1960s Dragnet #15: The Big Kids

August 24th, 2010

This episode has a lot to commend it as Joe Friday deals with young shoplifters. The show has some fascinating (including some that could be considered breeches of 21st Century political correctness.)

The show, however features Friday facing a very unusual juvenile foe. Friday delivers a decent “Jesus” speech but it fails to impress the young  delinquent, who is a real smart mouth. In this episode, Friday and the juvenile are fairly equally matched. The ending of the show is classic, it’s completely unexpected and surprising, and counter to the usual Dragnet youth show formula.

The episode addressed a meme of the counterculture to disenchanted youth. The cops “don’t understand you.” This episode told disenchanted teenagers that it was possible for despised authority figures to understand them and what can drive them to the point of frustration, and even crime.

The Big Smoke

August 21st, 2010

Friday and Smith investigate the murder of an elderly man who let it be known that he kept a lot of money around the house.

Original Air Date: February 22, 1953

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My Favorite 1960s Dragnet #16: Burglary: Mister

August 17th, 2010

This episode introduces us to Daniel Loomis, Mr. Daniel Loomis. The Story begins with Mr. Loomis walking off with everything his wife’s blind grandmother owned. And from there, we learn to really hate the guy as we learn that he stole the money for his own mother’s funeral and has another wife.

This episode was noted for marking a falling out between Jack Webb and Burt Prelutsky, who wrote seven episodes for season three, but only this one episode for Season Four.  Pretulsky wrote:

In the script, the perp had a fondness for bowling. For him, it was a pastime that approached a compulsion. The way I had it, he committed a couple of crimes involving bowling alleys, was arrested while trying to pick up a 7-10 spare, and in between there was a lot of Friday-Gannon banter that revolved around bowling.

Webb wanted to change the compulsion to butterflies, partly because someone he’d grown up around somone that had that compulsion, and mostly because it would avoid a trip off the studio lot. Pretulsky had a solution for the problem:

Through the use of sound effects and a glass counter full of bowling shoes and score sheets, I advised, we could easily indicate the venue in the earlier scenes. And instead of arresting the perp on the lanes, Friday and Gannon could cuff him at the coke machine.

However, all was not well between the two:

For in Jack Webb’s world, I had committed the unpardonable sin. The problem wasn’t that I’d come up with the solution to his problem. It was that just prior to solving it, I had told him that I’d done all the work on the script that I was contracted to do, work that he’d already accepted and approved of, and that if he insisted on my turning our villain into a butterfly collector, it would entail a page-one rewrite. In other words, I would expect to be paid to write that brand-new script he had in mind.

Watching the episode as shot, only two scenes actually involved bowling. The core of the story was about the incredible Mr. Loomis’ career in crime not his career in bowling. I can sympathize with why Webb felt like Prelutsky was trying to shake him down for more money when a page 1 rewrite really doesn’t seem necessary. As a writer, I can also understand Prelutsky fighting for his vision.  He just may have chosen the wrong tactic to use with Webb.

The Big Tooth

August 14th, 2010

A woman is missing. Her husband swears she fine, her daughter insists there’s been foul play. Who’s telling the truth?

Original Air Date: February 15, 1953

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My Favorite 1960s Dragnet #17: Administrative Vice: DR29

August 9th, 2010

 

One beef on Dragnet and Jack Webb is that the bad cop is never portrayed. Webb responded to this in a 1972 interview with TV Guide:

We’ve admitted many times that the police make mistakes, both on Dragnet and Adam-12. People tend to forget that; nobody can possibly see or remember all the shows we’ve made.

Regarding not being able to see all the shows, Webb hadn’t met me. :) However, one show that contained the baddest cop in the history of Dragnet is this Season 3 episode, “Administrative Vice: DR29″ where Friday finds himself partner to a seasoned vice cop gone bad by the name of Drucker, perhaps the worst cop gone bad in all of Dragnet history. Friday really has to walk a careful line and do everything just right to protect his own career and integrity. This is a sensational highlight of the lackluster Season 3 as Lt. Drucker proves a worthy opponent for Sgt. Friday.

The episode also illustrates Webb’s view of how bad cops should be portrayed:

If I do a story of a crooked or a disturbed policeman, either he’ll be eliminated from the department or he’ll be straightened out and remain on. But I won’t just leave it raw. I think it’s improper reporting not to tell the other side of the story. Of course, you sacrifice something in the area of sensationalism when you do that. Dragnet and Adam-12 aren’t as exciting as the Wambaugh books or “Dirty Harry” in that respect; we don’t have the heavies inside the department itself. We’re not doing stories about the guys we know will eventually be weeded out. We’re doing stories about everyday working policemen.

Webb understood the power of television. He chose to tell it the way it usually happened, rather than finding an aberration and emphasizing it as many TV and movie producers have done in the search for higher ratings. Webb, however held the firm moral high ground in portraying honest police department that rooted out the bad apples.

The Big Press (1953)

August 7th, 2010

Friday and Smith are searching for two paper hangers, and their printing press.

Original Air Date: February 8, 1953

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My Favorite 1960s Dragnet #18: IAD: The Receipt

August 5th, 2010

Recall back to our #37 episode, the Season 1 episode , The Kidnapping. The episode ends with Officer Gannon trying and failing to leave Joe Friday to take the heat for what seems to be a minor bureaucratic oops. When borrowing some money from a bank to payoff the kidnapper to lure him out, Friday and Gannon had forgotten to get a receipt from the Bank President. However, everything turned out well, but the Captain wanted a few words with the boys.

We find out why in AID: The Receipt. In this episode, Friday and Gannon are working out of internal affairs and investigate the case of two police officers who are accused of stealing $800, and their long time careers are put on the line because of a missing receipt.

In some ways, this was a definitive explanation of Dragnet’s approach to policework. Dragnet often worried about small details that wouldn’t matter on any other show, little processes and procedures. But these processes and procedure are vital to keeping officers on the job and safe. If you don’t like details, policework simply isn’t career for you, because failing to follow the details has serious consequences.

The show features a good performance by Virginia Gregg, some good dramatic tensions with Gannon and Friday being friends with the officers involved, and an ending that will be appreciated by those of us who tend to lose things.

The Big Grandma (TV)

August 4th, 2010

Joe Friday and Frank Smith find themselves in a Check Forging case that’s been going on for nearly a decade. The description of the perpetrator: A kindly looking elderly woman:

Season 2, Episode 9

Original Air Date: January 8, 1953

Play

The Big Strip

July 31st, 2010

*Friday and Smith search for the perpetrators behind a series of car stripping.

Original Air Date: February 1, 1953

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My Favorite 1960s Dragnet #19: The Big High

July 29th, 2010


Another heartbreaking/controversial episode of Dragnet. This one bears some similarity to the radio episode, “The Big Lay Out.” In both episodes, a father reports his child as a drug user. This episode is different because unlike in “The Big Lay Out”, the father doesn’t have evidence to share with the police that could lead to an arrest and we’re not dealing with a minor, but with what by all appearances are two competent adults. Perhaps, the most important difference is that an innocent child is being raised by two drug users.

This episode has some elements of the “iThe Big Prophet” with a debate on the dangers of drugs, but this one also has an actual plot that really adds power to the arguments. We get to see not only the debate, but the consequences of the positions taken. Plus, this episode went contrary to stereotypes of drug users being universally poor in its portrayal of middle class respectable looking people using drugs, it

Those who view drugs as harmless chalk this episode up as “Reefer Madness” hysteria. Yet, Dragnet is based on actual police files, and in the police files across America, you’ll find many cases just like this. Dragnet’s take was powerful and well-done.

The Big Lay Out

July 24th, 2010

A father turns his son in for using drugs.

Original Air Date: January 25, 1953

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Total Dragnet

July 23rd, 2010

“Well, whatddaya know? The immortal sergeant.”

Dragnet 1966 (aka World Premiere) was intended to air in 1966, but instead network executives were so impressed with the new film, they decided give Dragnet a second life as a thirty minute series. The movie ended up airing in 1969. Since then, while the remade series it spawned has been syndicated multiple times, the movie that restarted Dragnet has laid mostly forgotten. No home video releases and rarely playing on television channels.

Taking over future Dragnet releases after Universal’s miserly release of Dragnet 1967, Shout Factory made Dragnet 1968 special with its inclusion of the rarely-seen movie that started it all, as well as a Jack Webb featurette. Seeing the film for the first time last week, I saw what NBC was excited about.

There’s a strong case to be made that Dragnet 1966 is the greatest Dragnet adventure ever. However, there’s an even stronger case to be made that it’s the most complete Dragnet story ever. When people think of the Dragnet series, there are a variety of things that come to mind: 1) solid mysteries, 2) quality human drama, 3) a solid rhetorical blast from Sergeant Friday, 4) police realism, 5) great performances by some of the great characters actors of TV’s golden age, , and 7) Just the right touch of comic relief.

Most thirty minute episodes of Dragnet will leave one of these elements out. There’s just not time to portray everything in thirty minutes, and the Dragnet 1954 movie couldn’t quite put it all together, missing the comic thrust and the solid mystery.

Dragnet 1966 was the total package. It had everything you could hope from Dragnet.

The movie begins with Joe Friday being called back early from vacation and put on a murder case that’s been perplexing the police. Three women have disappeared with foul play suspected. The third victim, a model, offers greater clues to the perpetrator as the police conclude she met the perpetrator through a lonely hearts club and with the help of composite artist, the brother is able to provide a description.

However, Friday and Gannon’s job is complicated by the President of the lonely hearts club (played brilliantly by Virginia Gregg) who provides an entirely different description from the brother, apparently to avoid hurting the club’s reputation. A red herring leads to an unrelated murder investigation. All the while, the man their hunting is looking for his next victim.

Dragnet 1966 is smartly written by Oscar winning screenwriter Richard Breen, who seemed to have a better grasp of what Dragnet should look and sound like than when he penned the 1954 movie and the 1953 Christmas episode.

The cast was made up of the same folks who Webb had relied upon to make the Dragnet radio and TV shows a success. It featured three of the men who had taken turns playing Webb’s partner between the death of Barton Yarborough in December, 1951 and Ben Alexander taking over the role of Frank Smith in September, 1952: Herb Ellis, Harry Bartell, and Vic Perrin. Throw in Virginia Gregg and Olan Soule and Webb and the gang was truly all back together.

As would be the case in the TV series, Harry Morgan (Bill Gannon) brought the comic relief. Gannon is being forced to retire due to health, but wants to see his last murder case to a conclusion, which will require staying one step of the personnel officer, who wants to be sure that no matter what happens, Gannon turns in his badge and signs his retirement papers no later than 4:30 P.M. Gannon also has a nephew in dentistry school that keeps trying (and failing) to fit him Gannon with bridgework.

To top it all off was Jack Webb delivering a career performance. Webb’s portrayal of Friday was a little different from years past. Friday was no longer the trim young police officer in his 20s and finding his way on the force, but rather a veteran who’d seen it all. Friday is still played as being professional, but with a quiet intensity that’s played for great effect during the ”Quirk in the Law” speech and when Friday and Gannon catch up with a couple murder suspects. There’s also a very moving scene with Friday and the son of a murder victim.

Dragnet 1966 holds the viewer’s attention right to the very end with a climax that puts Joe Friday in one of the most dangerous and exciting situations of his career.

I was expecting a lot from Dragnet 1966 and it exceeded even my expectation. Fans owe Shout Factory a debt of thanks for bringing this unheralded classic to home video.

I’ll also that they did a very good job on the 24 minute Jack Webb featurette that included interviews and insight on Webb from veteran Wenb hands Peggy Webber and Herb Ellis, who shared their personal and professional memories of Webb going back to the days of radio, as well as the very funny Tom Williams (who did a great Harry Morgan imitation) and Webb’s third wife, Jackie Loughery. It was very well-put together piece that’s a must-see for Dragnet fans.

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